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 ![OLOF ARNALDS [ICELAND]](../../archive/2003/grafix/h_olof.gif)
 Ólöf Helga Arnalds was born 
                in Reykjavík in 1980. She is currently studying Composition 
                and New Media at the Iceland Academy of the Arts. She is now touring 
                with the Icelandic band, Mum playing viola, xylophone, guitar 
                and singing. For Ultrasound 2003 she will present a video composition 
                and perform her own music live.
 The video composition, Solitary Sounds [Eins manns hljod] was 
                first performed at a concert in the Reykjavík Art Gallery 
                earlier this year. The inspiration for the piece is sought in 
                the simplicity, much exploited but fascinating possibility available 
                through sound recording - that of being able to accompany oneself.
 
 The visual part of the piece [many screen images showing the same 
                person on one giant screen] aims at making the recording of music 
                played by one and the same person as 'live' as possible and to 
                bring out as many of the hazards that a musician may experience 
                on stage, without the musician performing in person. The recordings 
                were made in a recording studio and each individual recording 
                is in itself continous and complete regarding both sound and image. 
                The recordings were not edited in any way.
 
 The musicians in this one man band are variably proficient on 
                their different instruments and the mood of the moment is also 
                variable. There are nine in all: two violins, two violas, three 
                guitars, one cello and one double-bass. They also, despite their 
                lack of experience, have to control all the equipment used for 
                both the audio and visual parts. They listen through headphones 
                to instructions giving cues and information about when a new section 
                starts.
 
 Each musician in turn also hears what has already been recorded. 
                Thus it can be said that the progression is pre-planned to a certain 
                extent, as is the basic musical foundation but it is up to the 
                individual musician to improvise.
 
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